← RETURNCASE FILEIllustration / Graphic2022.09 – 2022.11
RT-LB-009

Love in the Time of Borderline

#009

A three-part book made for people living with borderline personality disorder — first-person montage, clinical explanation, and a route toward treatment.

Année
2022
date
2022.09 – 2022.11
dimension
23cm × 29cm × 2.5cm · 19cm × 27cm × 3cm
media
Print, Photography, Mixed Media

A — INSPIRATION AND RESEARCH

A book for people with borderline personality disorder. In China it often goes undiagnosed and untreated — I made this to say something myself, and so that you know you are not the only one.

BPD runs on unstable relationships, a distorted sense of self, and emotional reactions that will not come back down to a baseline. Someone described it as moving through the world without skin.

Reference literature

  • Get Me Out of Here
  • Sometimes I Act Crazy
  • Understanding the Borderline Mother
  • The Buddha and the Borderline

On-screen

  • Actress Winona Ryder as Suzanne in Girl, Interrupted
  • Matsuko in Memories of Matsuko
  • Clementine in Eternal Sunshine of the Spotless Mind

On-screen 01

On-screen 02

B — MOODBOARD

MY MOST OF FILES MISSING …..

B — MOODBOARD 01

B — MOODBOARD 02

B — MOODBOARD 03

B — MOODBOARD 04

C — PHOTOGRAPHY

Taken during lockdown, around my neighbourhood and the old downtown. My friend and I were in the same quiet, heavy state. On impulse I walked barefoot across a construction site — cold rising from the ground, roughness, hardness underfoot. A brief, hard connection with something real.

C — PHOTOGRAPHY 01

C — PHOTOGRAPHY 02

C — PHOTOGRAPHY 03

C — PHOTOGRAPHY 04

C — PHOTOGRAPHY 05

C — PHOTOGRAPHY 06

C — PHOTOGRAPHY 07

C — PHOTOGRAPHY 08

C — PHOTOGRAPHY 09

C — PHOTOGRAPHY 10

C — PHOTOGRAPHY 11

C — PHOTOGRAPHY 12

C — PHOTOGRAPHY 13

C — PHOTOGRAPHY 14

D — STRUCTURE OF THE BOOK

Three sections, each a different size inside a single A4 frame.

The first is first-person: photographs, drawings and a little text, images linked to each other so the whole reads as montage. The second is direct — characteristics, causes, symptoms, co-morbidities. The third is for finding treatment and judging whether it fits.

Saddle-stitched, on vintage special paper, for the archival feel.

D — STRUCTURE OF THE BOOK 01

D — STRUCTURE OF THE BOOK 02

D — STRUCTURE OF THE BOOK 03

D — STRUCTURE OF THE BOOK 04

D — STRUCTURE OF THE BOOK 05

D — STRUCTURE OF THE BOOK 06

E — PRINT (BOOK DESIGN)

Part One follows Rinko Kawauchi, who finds the connection between things that have nothing to do with each other. Lovers’ hands bound in red thread read as parasitic trees — dependent, and slowly draining one another.

Part Two is typographic: free composition and custom type inside a modular grid, archival in feel, held between structure and spontaneity.

Part Three is information design. The emotional narrative turns into a rational system, and the reader is guided rather than immersed.

E — PRINT (BOOK DESIGN) 01

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